{"id":19173,"date":"2021-03-05T18:04:39","date_gmt":"2021-03-05T11:04:39","guid":{"rendered":"https:\/\/www.gallerylafayette.com\/import-placeholder-for-25753\/"},"modified":"2021-03-09T14:41:57","modified_gmt":"2021-03-09T07:41:57","slug":"the-guitar-player","status":"publish","type":"product","link":"https:\/\/www.gallerylafayette.com\/product\/the-guitar-player\/","title":{"rendered":"The Guitar Player"},"content":{"rendered":"

The Guitar Player<\/h2>\n

Between his two Tahitian periods, Paul Gauguin seems to have actually rediscovered an interest in France, representing its more normal facets with a totally new mindset.<\/p>\n

Throughout a couple of years in between 1893 and 1895, the artist split his artistic production in between continuing his work on representing the tropical paradise he had just returned from, a minimum of as he saw it, and also portraying more popular numbers of the French culture as well as social landscape. He also went back to Pont-Aven, the artists’ swarm where he had invested some of his most effective years prior to leaving for Haiti for the very first time, as well as where he had satisfied a lot of the greats of his time.<\/p>\n

Created in all likelihood throughout stated traveling to Brittany, this oil on canvas, which is currently in property of exclusive collectors, portrays just one such prominent number, in the form of an eponymous guitarist doing his craft. The musician exists without much context, and therefore one is brought about to pay very close attention to the personality which dominates the center of the structure. What little history is offered indicates that the music player is on a rounded stage of some type, in a rather well-lit area, even though the yellowness of the space might show that the resource of light is of man-made nature.<\/p>\n

Regarding the musician himself, he seems intensely concentrated on the job at hand, ignoring the artist representing him, and the shape of his mouth suggests that he whistles together with the tune. His skin is brown, potentially showing a Moorish or Mediterranean descent, as well as his feet, are bare, which informs the viewer that the man is either very comfy or penniless, although the context does little to nothing to assist comprehend which one it is.<\/p>\n

Finally, his extremities are somewhat exaggerated in dimension, which might have been Gauguin’s way of representing his focal point when observing the man, where the hands and also feet note the rhythm of the track. Because of this, the artist sends with contortion in proportions his feelings when viewing the scene he depicts, trying to bring his target market to the moment of getting in touch within between the artist and also the subject matter in an almost intimate check out the artist’s mind. Truly an amazing sampling of Gauguin’s Cloisonnist style.<\/p>\n","protected":false},"excerpt":{"rendered":"